Chameleon Club Presents...
Sun, December 9, 2012
$20.00 - $22.00
This event is 18 and overhttp://www.chameleonclub.net/event/182395/
The new 12-song set embodies the same qualities of sonic punch, sturdy songcraft and edgy introspection that have long endeared Everclear to its large and loyal worldwide fan base. Such new tunes as "Be Careful What You Ask For," "Volcano," "Falling In A Good Way" and "Tiger In A Burning Tree" maintain the same musical and emotional resonance that first struck a responsive chord with listeners in the early 1990s.
"Everything about this record came very naturally, and everything about it feels completely genuine to me," singer/guitarist/songwriter Alexakis notes. "To me, it sounds like an old-school Everclear record in a lot of ways, but it's also contemporized, with the synthesizers and the melody lines. I grew up with The Cars and Devo, and I love the sound of those old analog synthesizers and how they cut through the big guitars." This balance of sound was also evident when Everclear performed songs from Invisible Stars on both The Tonight Show and Jimmy Kimmel Live! earlier this year.
Invisible Stars' compelling blend of personally-charged lyrics and savvy hooksmanship is prominent on such new tunes as "Promenade" and "Santa Ana Wind," which reflect the influence of Alexakis' recent move with his wife and daughter to his native state of California, after two decades in Portland, Oregon, where he founded Everclear in 1992.
"That was a real catalyst for me," he states, adding, "Once we moved, I started writing profusely, and that became this record. I'm feeling so much happier here, and at the same time I've got the fire in my belly for making music. A lot of the songs on this record are very upbeat, but it's still me, so there's always the darkness balancing the light."
Alexakis' clear-eyed willingness to confront life's darker margins has been a hallmark of Everclear's output ever since Everclear's independently released 1993 debut World of Noise. The band’s relentless touring regimen and D.I.Y. promotional tactics helped to set the stage for the platinum-level breakthrough of 1995's Sparkle and Fade, which spawned the hits "Santa Monica" and "Heroin Girl," while establishing Everclear as a popular live attraction and Alexakis as an engaged and articulate media presence. The band's ascendancy continued with 1997's So Much for the Afterglow, which produced the radio hits "Everything to Everyone," "I Will Buy You A New Life," and "Father of Mine."
Alexakis continued to explore new creative challenges on such subsequent Everclear releases as 2000's two-part Songs from an American Movie, Vol. 1: Learning How to Smile (which yielded a major hit in "Wonderful") and Songs from an American Movie, Vol. 2: Good Time for a Bad Attitude, 2003's Slow Motion Daydream and 2006's Welcome to the Drama Club. The Vegas Years (2008) was a memorable set of cover tunes, while In A Different Light (2009) and Return to Santa Monica (2011) found Alexakis and company revisiting and reinterpreting items from the Everclear songbook.
"People tend to think that my songs are autographical," Alexakis observes. "Some are, but most of them aren't. I just like to tell stories, and they're not always about myself. As I've gotten older and more experienced, I think I've gotten more compassionate, and better at seeing both sides of things, and I think that's reflected in the songs."
Alexakis' increasingly expansive outlook is reflected in Invisible Stars' title, as well as the image, capturing an unguarded moment of childhood joy, that he chose for the album's front cover. He originally encountered the photo on the wall of a Starbuck's, and was so moved by it that he tracked down the photographer.
"The phrase 'Invisible Stars,' which is from 'Careful What You Ask For,' just resonated with me," he says. "It refers to the beautiful moments that happen every day, the things that keep hope alive. That's what the photograph captures, a moment of pure joy being shared by two people. There's nothing world-shaking about it, but it's completely profound. At the point I'm at in my life, that's the kind of thing that's important to me."
Everclear spent much of the summer of 2012 co-headlining the innovative and highly-successful Summerland tour, along with four other notable American bands that emerged during the 1990s: Sugar Ray, the Gin Blossoms, Lit and Marcy Playground. Everclear will perform solo dates in the fall/winter 2012/13.
"I'd talked to various people over the years about doing a '90s tour," Alexakis explains. "We'd all been waiting for someone to put this together and invite us to participate. Eventually I got sick of waiting, so I called Mark McGrath from Sugar Ray and said 'Let's do it.' It's looking back to a time when radio was still exciting, and guitar-based rock music could still get on the radio. It's going to be a lot of fun, for the bands and for the fans. I like the idea of one show containing 15 or 20 hit songs that everyone in the crowd will know, but it won't just be a trip down memory lane. I think that all of these bands, Everclear included, have one foot in the past and one foot in the future, and I think that that's a good place to be.
"When I look back at what Everclear has done," Alexakis concludes, "I see a lot of things that have changed and a lot of things that have stayed consistent. But at the end of the day, I'm still doing the same thing I've always done. It's still guitar-based rock 'n' roll, and I'm still just telling stories, which is all I've ever wanted to do. I'm proud of what we've done, and I still enjoy it. And I feel blessed that other people like it too."
Reunited and re-energized, the band has returned with album Speak In Code eight years after parting ways in 2004. As the fourth full-length release for Eve 6 and their debut on new label Fearless Records, the album heralds not just a return to form for the threesome, but a new chapter in a book that had ended all too abruptly.
“Overall I'm really proud of it, and I think we're doing right by our fans, who’ve waited a long time for us to make another record. I think we're giving them something they'll enjoy,” says singer/bassist Max Collins. “Once we got in the studio there was a lot of energy. There aren't any filler moments; each song has its purpose. This is the strongest collection of songs we've ever had on one record.”
Eve 6—which also includes drummer Tony Fagenson and guitarist Jon Siebels—formed in Southern California in 1995 while the trio were just teenagers, then inked a deal with RCA Records before they’d finished high school. The band issued the self-titled Eve 6 in 1998, attaining platinum success with hit singles “Inside Out” and “Leech,” the former capturing the #1 spot on the Modern Rock charts and crossing over successfully to Top 40 radio. More widespread recognition came with gold-selling sophomore effort Horrorscope (2000), which spawned radio gems “Promise,” “On The Roof Again” and the ubiquitous prom and MTV anthem “Here’s To The Night”.
It seemed like Eve 6 were everywhere—the band made appearances on The Tonight Show with Jay Leno, The Late Show with David Letterman, Jimmy Kimmel Live, Late Night With Conan O’Brien, and TRL with Carson Daly, with their videos in constant rotation on MTV. The band then released the more experimental It’s All In Your Head in 2003, featuring singles “Think Twice” and “At Least We’re Dreaming,” but parted ways with RCA thereafter. Their rapid rise to prominence at an early age had led to an inevitable mental and physical exhaustion, and in 2004 Eve 6 announced an indefinite hiatus. It was time to turn a new page.
“There were parts which were fucking incredible, and amazing and awesome, and there were aspects that were terrifying and freaky that you don't know how to handle. I feel like we did some growing up in public,” says Collins. “I needed to stop drinking. In order to do that, the wheels had to come off. I don't think I could have done it if the band was still going.”
After a year apart, Collins and Fagenson began writing and producing for other artists, including 2007’s hit ballad “We Don’t Have To Look Back Now” for rock band Puddle of Mudd, and collaborating on a new experimental side project, the Sugi Tap. "It was an inspiring time, going down different musical avenues together and trying things we wouldn't have in Eve 6,” reflects Fagenson. “Ironically, when we did reform Eve 6 a couple years later, those experiments allowed us to progress the sound of the band more freely than if we had been in the band the whole time."
Collins and Fagenson eventually reignited Eve 6 in 2008, with guitarist Matt Bair temporarily replacing Siebels who was occupied with his project Monsters Are Waiting. The band spent the next two-plus years touring, writing and reconnecting with fans, then in 2011, armed with new material and management, signed with Fearless Records. A month within inking the deal Collins and Fagenson finally convinced Siebels to return to the fold.
“After going down some different paths it hit me that there was this thing out there that people wanted and wanted to hear,” explains Siebels. “It just clicked and made sense to me. After such a long break I was so happy to be playing with these guys again.” Continues Fagenson, "The way [Siebels] hits the strings and puts that muscle into the chords is very distinctive to our band, and that was a welcome piece of the sound that we had missed. Songs that had been kicking around for a couple years got new life with his playing put into them.”
Eve 6 then re-enlisted Don Gilmore (Linkin Park, Dashboard Confessional, Good Charlotte, Pearl Jam)—who produced the first two Eve 6 full-lengths—to helm the sessions for Speak In Code. With all the lead time, the album contains a mix of compositions that began as far back as the side project, as well as recent works written in the months leading up to the recording process. “We were really taking a ‘best of everything’ sort of approach, almost like a band's first album, in which there's a lot of material to choose from,” Fagenson notes. “About half the songs were standouts from what Max and I had been working on and demoing over the years, and the other half were newer ideas that came with the inspiration of Jon's return and all that was happening to us at the time. We have a unique process, where each song is sort of its own animal. Don was crucial in helping us tighten everything up, and inspiring Max to dig really deep lyrically and get to some root emotion down there.” Explains Collins, “Neil Finn [of Crowded House] once said, ‘A great producer is someone whom you admire musically and otherwise, who you feel compelled to show up and show off for.’ I feel like Don is that figure for me and the band.”
In many ways, Speak In Code is a work with deep personal significance for Collins, who has weathered his share of personal adversity. The album is a testament to coming out okay on the other side, with friendships still intact, but it’s within the journey that the story truly lies. Whether it’s romantic relationships or dealings with his bandmates, communication—and its barriers—is a central theme underpinning the release.
“In some of the songs frustration is a theme. I was sort of looking at difficult personal relationships with a humorous spin in some places, and with more earnestness in others,” explains Collins. “The title [Speak In Code] is a lyric from ‘Curtain,’ and there was something kind of evocative about it. In that song, I'm referring to being newly sober and just feeling like an open nerve, feeling freaked out, having people and life being sort of overwhelming. It's almost like people are speaking a language you don't understand.”
Opening track “Curtain” is a pivotal moment for several reasons—not only does it provide a title concept, but it also speaks to the group’s return from hiatus, drawing on the relations between the notoriously volatile Gallagher brothers from Britpop icons Oasis. “There was a lot that I could identify with there,” Collins says. “Being in a band is like a marriage; it's like a family. You're in the trenches with these guys, and sometimes it's easy and awesome, and sometimes it's not so easy.”
First single “Victoria” lyrically weaves a tale that draws the listener into a hook-laden, 80‘s-influenced anthem, putting a contemporary spin on the classic Eve 6 sound. “[‘Victoria’] indulges this paranoid what-if fantasy that kind of has a foot in the truth: My wife went on this girls’ vacation to Mexico, and when I was looking through the photos, I saw my imagination start to go, and wrote that song,” Collins recalls. “I'm convinced in my mind that something’s going on that really isn't.”
Far from being just some nefarious nostalgia cash-in, Speak In Code is a genuine example of triumphing over one’s obstacles, both professionally and personally, seven years in the making. Eve 6 say the time rebuilding was essential to regaining their footing, which seems more solid in 2012 than ever. "In a lot of ways, the years leading up to this album release was a bit of a ‘paying our dues’ situation. We certainly had to earn the right to have this opportunity again,” says Fagenson. “This time around I think we realized just how hard it is to really get a rock band going and just when you think you're near the finish line you realize there's another hundred miles to go. But all that work and time simply strengthened our belief in what we were doing, and it was a crucial aspect of our development. It really taught us about stick-with-it-ness and perseverance."
"The time we spent apart really made us appreciate what we have in each other. It's a chemistry you can't manufacture,” adds Collins. “We literally grew up playing music together. The bond that we have as a result of so much shared experience infuses the sound of the band."
In support of Speak In Code, Eve 6 recently took to the road with The All-American Rejects and will now be embarking on a fall tour with Everclear. Diehards who caught the band live in prior years will undoubtedly be thrilled to see the trio once again on stage, but it will be a somewhat older, definitely wiser group that greets them. According to Collins, it’s all good.
“We’re looking forward to playing new songs, and reconnecting to the fans with new material,” says Collins. “I feel this profound gratitude to the other two guys in my band. We've been through a lot—we've had the mountaintop moments and the Death Valley moments—and we're still here today, we all get along, and we made this thing together. It's almost miraculous, to me. There's this convergence that goes on for something that's bigger than the sum of its parts, and that's such a joyful, cool fucking thing.”
"The group formed in our last year in high school," explains Crafton.. With the addition of Troy Harmon and Seth Van Dusen [the latter is the group's new bassist] we were able to complete the team and set forward into the world."
In 2010, the group signed with Imagen Records. "Namesake really caught our attention over at Imagen," says Imagen Records President Bob Winegard. "They had great things going and a talent that's rare to find in kids their age. We knew we would be able to do great things together.Renowned producer James Paul Wisner (Paramore, Underoath, and New Found Glory) was brought in to create the debut full-length. "I got his number from his production website and was lucky enough to talk to him personally," recalls Crafton. "We talked for a while and I sent him an acoustic demo of a song that would later be one of the songs chosen to record on our album titled 'Saturday.' He loved the track and was eager to get started immediately. We had a great chemistry the whole time we were working together."
Recently, Namesake filmed a video for "Worlds Away," and Crafton recalls it as an amazing experience. "It was the first time any of us had shot a music video. The whole thing was done with a green screen as well. We had no idea what to expect, but we got to work with the legendary Scott Hansen, and he helped put it all together. We spent a good twelve hours straight shooting it, and were very pleased with the outcome. We may be one of the very first bands to play in space!"
And as fans who have caught the group's live show already know, Namesake is a must-see concert act. "Packed full of energy," is how Crafton describes their shows. "We bring to the table what any fan would expect to see. Killer vocals and harmonies, guitar solos, head banging like it was going out of style. We definitely like to have fun and get the fans involved, because that is what it's all about."
And lastly, what does Crafton see in Namesake's future? "We want to get to the status to where if you walk into a room packed with people and someone yells 'Namesake,' at least one person will recognize the name. Well...that and world domination. But that can wait!" As evidenced by 'Borders & Fences,' Namesake is well on their way to obtaining the latter.
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